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<ead> 
  <eadheader relatedencoding="MARC21"> 
	 <eadid countrycode="US"
	  mainagencycode="TxU-Hu">urn:taro:utexas.hrc.00000</eadid> 
	 <filedesc> 
		<titlestmt> 
		  <titleproper>Michael Joyce: </titleproper> 
		  <subtitle>An Inventory of his digital files at the Harry Ransom
			 Humanities Research Center.</subtitle> 
		  <author>Finding aid created by Catherine Stollar. </author> 
		</titlestmt> 
		<publicationstmt> 
		  <publisher>Harry Ransom Humanities Research Center, </publisher> 
		  <date>2005</date> 
		</publicationstmt> 
	 </filedesc> 
	 <profiledesc> 
		<creation>Finding aid encoded in EAD 2002 on 
		  <date>May 9, 2005</date></creation> 
		<language>Finding aid written in
		  <language>English</language>.</language> 
	 </profiledesc> 
  </eadheader> 
  <archdesc level="collection"> 
	 <did> 
		<repository> 
		  <corpname>The University of Texas at Austin<subarea> Harry Ransom
			 Humanities Research Center</subarea></corpname></repository> 
		<origination> 
		  <persname encodinganalog="100" source="lcnaf">Joyce, Michael, 1945-
			 </persname> </origination> 
		<unittitle>Michael Joyce Papers and Digital Files</unittitle> 
		<unitdate type="inclusive" encodinganalog="245$f" era="ce"
		 calendar="gregorian">19xx-19xx</unitdate> 
		<abstract label="Abstract:" encodinganalog="520$a">Michael Joyce, author
		  of 
		  <title render="italic">Afternoon, a story</title>, has contributed to
		  the creation and evolution of hypertext fiction. As a faculty member at both
		  Vassar and Jackson Community College, Joyce has instructed students for over 20
		  years on the relationships between narrative and technology. Joyce's digital
		  files document his career as author, professor and Storyspace
		  co-creator.</abstract> <langmaterial label="Languages"> Material written in
		<language langcode="eng">English</language></langmaterial> 
	 </did> 
	 <bioghist encodinganalog="545"> 
		<head>Biographical Sketch</head> 
		<p>Camille Renshaw, of 
		<title render="italic">Pif Magazine</title>, comments on Michael Joyce as
		an artist,<emph render="doublequote"> Simply put, Joyce is one of the most
		imaginative artists of his time.</emph></p><p>Joyce is a prize-winning novelist
		  as well as a teacher of writing. His hypertext novel, 
		<title render="italic">afternoon</title>, has been called
		<emph render="doublequote">the granddaddy of hypertext fictions... a
		legend</emph> by Robert Coover writing in 
		<title render="italic">The New York Times</title>, and
		<emph render="doublequote">an information age Odyssey</emph> by Pamela
		McCorduck writing in the 
		<title render="italic">Whole Earth Review</title>. Another hypertext
		fiction, 
		<title render="italic">WOE</title>, was the centerpiece of a special
		hypertext issue of the journal 
		<title render="italic">Writing on the Edge</title> (University of
		California, Davis, 1991). He has lectured and published widely on issues
		relating to hypertext and writing, and is part of the TINAC collective of
		interactive artists. He has been a keynote or featured speaker at the 6th
		Annual Computers and Writing Conference , the Language: Future Tense conference
		sponsored by the Tennessee Humanities Council; and the Computers and the Human
		Conversation conference at Lewis and Clark College . He has been on the program
		of every hypertext meeting sponsored by the Association for Computing Machinery
		(ACM) since their inception in 1987; and presented a paper and offered a
		tutorial at the international hypertext meeting in Milan in November, 1992. His
		essays on hypertext theory and pedagogy are primary texts in those fields
		</p><p>His novel, 
		<title render="italic">The War Outside Ireland </title>(1982), was widely
		reviewed and selected as a Small Press Book Club selection; won the Great Lakes
		New Writers Award in fiction ; and was featured in the USIA international
		traveling exhibit, <emph render="doublequote">America's Best.</emph>. He holds
		an MFA from the Iowa Writers Workshop, where he was a Teaching Writing Fellow ;
		and he has been a Visiting Fellow at the Yale University Artificial
		Intelligence Project (1984-85). During that year he worked in interactive video
		research as member of a multi-disciplinary team directed by Mary C. Milton,
		then of the Markle Foundation. Markle also funded initial work on Storyspace,
		hypertext software for writers and readers which he developed together with Jay
		Bolter and John B. Smith. </p><p>During 1992-93 he was a Pew Visiting Professor
		  of Hypertext Media, Technology and Culture in the English department at Vassar
		  College supported by a grant from the Pew Memorial Trust as part of an
		  initiative to further use of computers in the humanities. During 1993 he was
		  also a Writer-in-residence at the Brown University Creative Writing Program and
		  at the University of San Francisco. From 1975-1995 he was on the faculty of
		  Jackson (MI) Community College as an Associate Professor of Language and
		  Literature and Coordinator of the Center for Narrative and Technology. From
		  1975-78, he chaired the Language and Literature department, and from 1989-91 he
		  was Director for JCC's National Community College Alliance charter project
		  sponsored by Apple Computer and the League for Innovation in Community
		  Colleges. </p><p>His hyperfiction, 
		<title render="doublequote">On the Birthday of the Stranger</title> was
		featured as the inaugural work for the Evergreen Experimental Site of the
		online version of the 
		<title render="italic">Evergreen Review</title>. Two longer
		hyperfictions, 
		<title render="italic">Twilight, A Symphony</title>, on CD ROM, and 
		<title render="italic">Twelve Blue</title>, on the world wide web, were
		both published in 1996 by Eastgate. His most recent collection of essays, 
		<title render="italic">Othermindedness: the emergence of network
		  culture</title> (2000) was published by the University of Michigan Press which
		previously published his collection 
		<title render="italic">Of Two Minds: Hypertext Pedagogy and Poetics
		  </title>(1995). In 2002, he returned to his story-telling roots and published
		the novel 
		<title render="italic">Liam's Going</title>. He is currently Associate
		Professor of English and Director of the Center for Electronic Learning and
		Teaching at Vassar College in Poughkeepsie, NY.</p><p>Joyce's educational
		  background is in English and Fiction writing. Michael Joyce attended Canisius
		  College in Buffalo, NY, earning B.A.'s in English and Philosophy in 1972. In
		  1974 he graduated from University of Iowa Writers Workshop (Fiction) earning
		  his M.F.A. He also acted as a Teaching Writing Fellow at Iowa Writers Workshop
		  during the year of 1973-74.</p><p>Michael Joyce draws some elements from his
		  personal history to his work. His marriage to fellow hypertext author Martha
		  Petry Joyce and the birth of their two sons, Eamon and Jeremiah, are sometimes
		  referenced in his essays and novels. After the break up of his first marriage
		  with Martha, his second marriage with Carolyn Guyer resulted in another
		  creative relationship resulting in multiple projects co-authored by the
		  couple.</p> 
		<list> 
		  <head>Sources:</head> 
		  <item> 
			 <bibref>Joyce, Michael. Unpublished Biography.</bibref></item> 
		  <item> 
			 <bibref> 
				<title>New York University Press Online.</title> 
				<title render="italic"><emph render="doublequote">Authors'
				  Bios.</emph> Sister Stories</title>, http://www.nyupress.org/sisterstories
				(accessed May 9, 2005).</bibref></item> 
		</list> 
	 </bioghist> 
	 <scopecontent encodinganalog="520"> 
		<head>Scope and Contents</head> 
		<p>Over 4800 files were recovered from approximately 370 3.5" floppy
		  disks totaling over 211 Mb. The files are arranged into 6 series: I. Works, II.
		  Academic Career, III. Correspondence, IV. Storyspace, V. Third-Party Works, and
		  VI. Personal. Until copyright permissions are granted to the Harry Ransom
		  Center (HRC), all materials in Series IV. Storyspace and Series V. Third-Party
		  Works will be inaccessible. The remaining series with we be accessible by HRC
		  staff and patrons on-site in the HRC Reading Room.</p><p>Series I. Works
		  contains Michael Joyce's fiction and hypermedia files. Early drafts and
		  published versions of his work, notes, film treatments, correspondence between
		  co-authors and other related material document about half of Joyce's fiction
		  and hypertext works. Published titles represented in this series include: 
		<title render="italic">Afternoon, a story,</title> 
		<title render="doublequote">Joyce in Berlin</title>, 
		<title render="doublequote">Lucy's Sister: A Guide to the
		  Internet</title>, 
		<title>Mola</title>, 
		<title render="doublequote">On the Birthday of the Stranger</title>, 
		<title render="italic">Sister Stories</title>, 
		<title render="italic">Twelve Blue</title>, 
		<title render="italic">Twilight</title> and 
		<title render="doublequote">WOE</title>. </p><p>Series II. Academic
		  Career is composed of lectures, presentations, CV's and biographies, learning
		  objects, scholarly works, reading exercises, class exercises, grant proposals,
		  faculty correspondence, fellowships applications and administrative materials.
		  Three subseries make up Series II.: Subseries A. Scholarly Material, Subseries
		  B. Teaching Material, and Subseries C. Administrative Material.</p><p>Letters
		  pertaining to Joyce's career as an author and some personal letters compose
		  Series III. Correspondence. Some files were created originally with electronic
		  mail programs but were saved and are represented as Microsoft Word files.
		  Within Series III. there is no internal arrangement. Instead, DSpace users may
		  select appropriate fields of metadata by which to sort the files (i.e. by
		  author or date.)</p><p>Most correspondence pertaining to Storyspace creation,
		  development, dissemination, critique and discussion is arranged in Sereis IV.
		  Storyspace. Four subseries make up Series IV: Subseries A. Code, Subseries B.
		  Design, Subseries C. Criticism, and Subseries D. Riverrun Ltd. Michael Joyce
		  was very involved with running Riverrunn Ltd., the company that designed a
		  Storyspace reader. The code for the first version of Storyspace is included in
		  Subseries A. These files will not be accessible until copyright permission are
		  granted to the HRC. </p><p>Although inaccessible until copyright permissions
		  are granted, Series V. Third-Party Works contains the work of authors other
		  than Michael Joyce. These works represent the influences and context in which
		  Joyce developed his ideas for hypertext fiction and hypertext in academia.
		  Works by Carolyn Guyer, Stuart Multhrop, Jane Y. Douglas, William Gibson, Wes
		  Chapman, Jay David Bolter, John McDaid, Jim Rosenberg, Robert Arellano, Deena
		  Larson, William Dickey, Mark Amerika, Mark Kim Arnold, Shelley Jackson, David
		  Kolb and others can be found in Series V.</p><p>Series VI. Contains materials
		  relating to Joyce's personal life. Address books, neighborhood watch fliers,
		  little line ups, and expense reports are included in Series
		  VI.</p><p>Additional digital files and papers should be added to this
		  collection in the future.</p> 
	 </scopecontent> 
	 <acqinfo encodinganalog="541"> 
		<head>Acquisition</head> 
		<p>The Harry Ransom Center is in the process of obtaining Michael Joyce's
		  files.</p> 
	 </acqinfo> 
	 <accessrestrict encodinganalog="506"> 
		<head>Access</head> 
		<p>Open for research. Access to materials is restricted to staff and
		  patrons of the Harry Ransom Center. Access will only be allowed on-site. </p> 
	 </accessrestrict> 
	 <processinfo encodinganalog="583"> 
		<head>Processed by</head> 
		<p>Files processed by Thomas Kiehne, Vivian Spoliansky and Catherine
		  Stollar.</p> 
	 </processinfo> 
	 <controlaccess> 
		<head>Subjects</head> 
		<subject>Technology and civilization--Fiction.</subject> 
		<subject>Mass media--Fiction.</subject> 
		<subject>Computers and literacy.</subject> 
		<subject>Educational technology.</subject> 
		<subject> Hypertext systems.</subject> 
	 </controlaccess> 
	 <controlaccess> 
		<head>Document Types</head> 
		<genreform source="aat"> digital images</genreform> 
		<genreform>electronic images</genreform> 
		<genreform>digital writing </genreform> 
	 </controlaccess> 
	 <dsc> 
		<head>Arrangement</head><p>All files listed below can be accessed in the
		  Harry Ransom Center Reading Room. Access is prohibited by any other means and
		  from any location outside of the Harry Ransom Center.</p> 
		<c01> 
		  <did> 
			 <unittitle>Series I. Works</unittitle> 
		  </did> 
		  <c02> 
			 <did> 
				<unittitle>A Gertrude Story 
				  <extref>https://pacer.ischool.utexas.edu/dspace/handle/123456789/529</extref></unittitle>
				
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>A Landing on the Moon
				  <extref>https://pacer.ischool.utexas.edu/dspace/handle/123456789/340</extref></unittitle>
				
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>A Young Man</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle> 
				  <title render="italic">Afternoon, a story</title>
				  <extref>https://pacer.ischool.utexas.edu/dspace/handle/123456789/341</extref></unittitle>
				
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle> 
				  <title render="italic">Going the Distance</title>
				  <extref>https://pacer.ischool.utexas.edu/dspace/handle/123456789/343</extref></unittitle>
				
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Interviews given by M. Joyce
				  <extref>https://pacer.ischool.utexas.edu/dspace/handle/123456789/344</extref></unittitle>
				
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Introduction to Victory Garden
				  <extref>https://pacer.ischool.utexas.edu/dspace/handle/123456789/344</extref></unittitle>
				
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Journal
				  <extref>https://pacer.ischool.utexas.edu/dspace/handle/123456789/346</extref></unittitle>
				
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle> 
				  <title render="doublequote">Joyce in Berlin</title>
				  <extref>https://pacer.ischool.utexas.edu/dspace/handle/123456789/347</extref></unittitle>
				
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Laura's Other Loves
				  <extref>https://pacer.ischool.utexas.edu/dspace/handle/123456789/348</extref></unittitle>
				
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle> 
				  <title render="doublequote">Lucy's Sister: A Guide to the
					 Internet</title>
				  <extref>https://pacer.ischool.utexas.edu/dspace/handle/123456789/349</extref></unittitle>
				
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Mindless Babbling
				  <extref>https://pacer.ischool.utexas.edu/dspace/handle/123456789/350</extref></unittitle>
				
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle> 
				  <title render="italic">Mola</title>
				  <extref>https://pacer.ischool.utexas.edu/dspace/handle/123456789/352</extref></unittitle>
				
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle> 
				  <title render="doublequote">MOO or Mistakeness</title>
				  <extref>https://pacer.ischool.utexas.edu/dspace/handle/123456789/353</extref></unittitle>
				
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle> 
				  <title render="doublequote">On the Birthday of the
					 Stranger</title>
				  <extref>https://pacer.ischool.utexas.edu/dspace/handle/123456789/566</extref></unittitle>
				
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Poetry
				  <extref>https://pacer.ischool.utexas.edu/dspace/handle/123456789/354</extref></unittitle>
				
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Portrait of the Artist as a Database Entry
				  <extref>https://pacer.ischool.utexas.edu/dspace/handle/123456789/355</extref></unittitle>
				
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Princess Pea and the King of the Mortgage Bankers
				  <extref>https://pacer.ischool.utexas.edu/dspace/handle/123456789/356</extref></unittitle>
				
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Pulled power
				  <extref>https://pacer.ischool.utexas.edu/dspace/handle/123456789/357</extref></unittitle>
				
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>RePlaceSpace
				  <extref>https://pacer.ischool.utexas.edu/dspace/handle/123456789/358</extref></unittitle>
				
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Revolution
				  <extref>https://pacer.ischool.utexas.edu/dspace/handle/123456789/359</extref></unittitle>
				
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle> 
				  <title render="italic">Sister Stories</title>
				  <extref>https://pacer.ischool.utexas.edu/dspace/handle/123456789/360</extref></unittitle>
				
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle> 
				  <title render="italic">Twelve Blue</title>
				  <extref>https://pacer.ischool.utexas.edu/dspace/handle/123456789/361</extref></unittitle>
				
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle> 
				  <title render="italic">Twilight</title>
				  <extref>https://pacer.ischool.utexas.edu/dspace/handle/123456789/362</extref></unittitle>
				
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle>Unidentified
				  <extref>https://pacer.ischool.utexas.edu/dspace/handle/123456789/351</extref></unittitle>
				
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle> 
				  <title render="italic">World of Distant Things</title>
				  <extref>https://pacer.ischool.utexas.edu/dspace/handle/123456789/363</extref></unittitle>
				
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<unittitle> 
				  <title render="italic">Writing on the Edge</title>
				  <extref>https://pacer.ischool.utexas.edu/dspace/handle/123456789/364</extref></unittitle>
				
			 </did> 
		  </c02> 
		</c01></dsc> 
  </archdesc> </ead>